Gu An’s “Youbao Show Stone Map”
Youzhang Xiutu Yuan Gu An silk ink pen Chronicle 184 x horizontal 102 cm Beijing Palace Museum Tibetan
Gu An (1289 ~ John 1365), a native of Pingjiang (now Suzhou, Jiangsu). He is good at painting ink bamboo, often making windpads, rigorous strokes, and dazzling. There is a kind of Xiao Shuqing’s spirit, which is unique. In the picture, the lake stone is exquisite and clear, and the back of the stone is lined with a variety of scenery, and a scene of spring is full of spring. The brushwork of the work is strong, and the light is suitable.
Gu An’s “Boxing Stone New Map”
Boxing stone new 篁 顾 76 x horizontal 40 cm Taipei Palace Museum Tibetan
This picture is written by the new pole and stands beside the stone. The bamboo is thin and tall, the bamboo leaves are scattered, and the layers are distinguished by thickness. The pen and ink are fine and the business is full.
Ni Yan “Qi Shu Autumn Wind Map”
Qishu Qiufeng Tuyuan Ni Yan Paper Pen Church 62 X He horizontal 43.3 cm Shanghai Museum Collection
Ni Yan (about 1306 ~ 1374), Wuxi. Ziyuan Town, No. Yunlinzi, Xixiazi, etc. At the end of the Yuan Dynasty, painters and poets are good at painting ink and landscapes. The style of “Jianzhong Fan” has a deep painting of the ink and landscape of the Ming and Qing dynasties. Ni Yan’s works often show the small scenery of the far away, sparse, quiet, no leaves, no leaflets, only thin branches, with coldness, loneliness, and indifference. This is also the case. The fiststone is used with light ink, and the three or five stems of the fine bamboo are drawn with a strong ink.
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